Jazz Violinist Regina Carter gives a rare extensive candid interview, diving into her inspiring beginnings as a stand-alone jazz violinist, jumping to jazz from classical training, inspiring stories of encouraging mentors, and also, her tender experiences of supporting her mother and other loved ones through music.
A recipient of the MacArthur (AKA “genius”) Award, Regina has had a profound impact both on the worlds of Violin and Jazz, and she covers a lot of ground in our conversation, including:
– The balance between approaching musicianship via theory vs ear, explaining how she personally finds this balance and offers encouragement to players desiring to communicate with soul.
– On struggling to become accepted as a violinist in Jazz:
“I had a quartet masterclass with Yehudi Menuhin… One of the other teachers said, ‘She wants to play jazz. She’s gonna ruin her career!’ And Yehudi just picked up his violin and played a little blues lick and said, ‘Leave her alone.’ I’ll never forget that! It was like God had spoken. And I just knew then… When the calling chooses you, you can’t ignore it.”
– Perspective on the journey of her career:
“I remember having a conversation with someone once, they were (referring to) another jazz violinist who was up and coming, and they said, ‘I hope she gets there. I hope she makes it there.’ And I said, ‘Makes it where?’ The fact that any of us are doing this, we’re making it, you know? .. If you’re doing something you love, you’re making it. There is no ‘there.’”
Growing up in Detroit, Regina began her violin studies at the age of 4 and grew up to attend the New England Conservatory of Music in Boston, only to transfer to Oakland University in Michigan to study jazz. After a season abroad in Germany, she returned to the U.S. and first came into the spotlight as the violinist for the all-female pop/jazz group, “Straight Ahead.” She has since continued her career in New York, releasing albums and playing in many other ensembles. Today she continues as an avid educator and performer in Maywood, New Jersey with her husband Alvester Garnett.
On improvisation and creativity:
“You might not play a whole bunch of notes on a solo. You might not play as fast as this guy. You might not play hip. Be you- play what you play. What I usually play is very simple, but, if I’m out of my way and I’m trying to let the music flow through me and connect to the spirit, if you will, then it’s okay.”
Thanks so much to our sponsors Yamaha and Electric Violin Shop for supporting the Creative Strings Podcast. Their support makes it possible to invest in the production of each episode and bring you great stories like Regina’s.
Table of Contents
Watch the extended conversation on YouTube:
Learn more about Regina Carter:
Clips used in this episode:
- Ac-Cent-Tchu-Ate the Positive – Ella: Accentuate the Positive
- All My Life – Ella: Accentuate the Positive
- Un Aguinaldo Pa Regina – Reverse Thread
- Judy – Ella: Accentuate the Positive
- Artistiya – Reverse Thread
- Dedicated to You – Ella: Accentuate the Positive
- N’Teri – Reverse Thread
- Kothbiro – Reverse Thread
- Cornbread Crumbled in Gravy – Southern Comfort
Listen to Regina Carter’s Music:
Check out these other great episodes of the Creative Strings Podcast:
Scott Laird – Teaching Functional Musicianship in Orchestra – Creative Strings Podcast Ep. 21
