Maria, Maria

(intermediate) Billy adapted this tune for a swing arrangement, and he takes an amazing solo. The cello alternates between walking quarter notes and playing in a two feel. The accompaniment violin/viola should be sensitive to the cello by sometimes chopping and sometimes playing legato or syncopated double stops, but always being careful to keep the groove and leave space for the soloist.

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The (not so?) funny insults I receive about my violin playing

If you’re tired of fighting with your inner critic, know this:
It’s common for musicians of all ages and abilities to feel anxious and//or have self-doubting thoughts.
I and many of my adult students and colleagues struggle with insecurities. If this applies to you, you’re far from alone.