unknown

ready to go past playing prescribed parts?

March 26, 2011

Thank You Estore

Thank you for your purchase!

Please see below for instructions


If you just ordered a downloadable e-product… 

Simply download the product with the link(s) above.

You will also be receiving the product via email within 48 hours. If you don’t see that email, please reach out to support@christianhowes.com and we’ll send it to you ASAP!

If you just registered for a course….

You’ll be receiving an email to create your username and password. (Sent to your PayPal email.) If you’re not seeing the email, please check your spam folder.

If you do not receive that email within the next hour, please email support@christianhowes.com and we will happily work everything out. Thank you!


WAIT!

Before you leave, I want to give you an exclusive offer for my course

HOW TO PLAY BOSSA & SAMBA FOR BOWED STRINGS 

Get the complete course NOW for only $9.97 with the coupon code BOSSA (regular price $39.95).

Master Bossa and Samba styles for violin, viola, & cello, with transcriptions, audio commentary & video.

Included in this course:

  • 4 instructional videos on Bossa & Samba, solo violin improvisation, and creating a backing track and loops
  • 30 minute in-depth audio commentary in which I share analysis and tips
  • Bowed & fingered transcriptions of both solo takes & backing track
  • Free content updates

There’s often a gateway style that leads classical musicians to do more. For me the gateway was rock music during high school that primed the pump to be open to modern jazz, composition, arranging, and more.

Some styles are easier for classical musicians to access and assimilate due to the relative familiarity of rhythms, harmonies, or melodies. Jazz, with it’s reliance on triplet-based swing, complex harmonies, and unfamiliar melodies, can be difficult for classical musicians.

Bossas and Sambas, like Rock, with their reliance on duple feel, may be a more logical next step to follow on Rondos, Allegrettos, and Allegros; It still offers plenty of challenges, which are complimentary to those found in rock, funk, bluegrass and other styles.

That’s my theory, and it’s why I think Bossas, Sambas, and Choros are perfect for classically trained musicians to gain fluency and creativity.

We’ll be updating the course in the upcoming months. Join the course now to receive all of this material as well as FREE content updates.

Buy the course here or

Subscribe to Creative Strings Academy which includes the course.

Contact/Questions

If you do NOT receive your email that contains your link to download your purchase/create your username and password for the Creative Strings Academy or any of the courses, please email creativestringsacademy@gmail.com and we’ll happily resolve any issues. You can also email us with any questions or comments.

 

You may also enjoy…

Screen Shot 2013-04-05 at 2.18.35 PM

Free Jazz Violin Solo Transcription from “Southern Exposure”

Martin72

The Psychology Of Performance with Jazz Fiddle Wizard, Martin Norgaard